Spike Labs Showrunner
Agents that make films.
Showrunner takes a screenplay or a concept to a finished picture. A desk of agents writes, casts, directs and cuts it, room by room, and can make any part of it again.
Agents that make films.
Showrunner takes a screenplay to a finished picture, room by room.
Watch it run.
Change one thing.
Only what changed is made again.
The scene as written.
Made with Showrunner.
Shots from real episodes on our slate.
The Final Rose
Reincarnation: God of Souls
Married to the Mafia
Married to the Mafia
Homewrecker
Devin Butler
Claimed
Love AI-Land
One system, from the first page to the last cut.
Each room is an agent with its own tools. The Production Desk triages the work and dispatches it.
Writers' Room
Drafts the screenplay in FDX. A fresh-context auditor reads each draft cold and the room applies its rulings.
INT. STANNARD HOUSE, EAST PARLOUR - NIGHT (1912)
Rain against tall windows. A single tungsten lamp. ELEANOR STANNARD (30s) sits with an unopened envelope in her lap.
She turns it over. Her husband's hand. A shipping-office seal.
ELEANOR
(to the empty room)
You were never in Liverpool.
She opens it. Reads. Reads again.
ELEANOR (CONT'D)
(folding it once, then again, as if smaller would help)
Then where were you.
Made with Showrunner
Shots from real episodes on our slate.
The Final Rose
Series · Romance
Reincarnation: God of Souls
Series · Fantasy
Married to the Mafia
Series · Crime
Married to the Mafia
Series · Crime
Homewrecker
Series · Thriller
Devin Butler
Series · Action
Claimed
Vertical series · Fantasy
Love AI-Land
Vertical series · Reality
Built for studios and streamers
A whole catalogue
Showrunner runs a season the way it runs a scene. The Series Room holds the bible and the arcs, and every episode inherits them, so a catalogue stays consistent from the pilot to the finale.
Versions you can test
Cut the trailer, then the other trailer. Try another lead or another ending against an audience before anything is locked, and keep the one that plays.
Every language, in picture
Localization goes past subtitles. Voices are recast per language and the scene can move to another city, so a picture is made for each market rather than dubbed into it.
Research
Notes from building Showrunner. Drafts are published as they are finished.
- Draft
The auditor never sees the room: fresh-context review for long screenplays
- Draft
Pairing performance and camera as one decision
- Draft
One render per shot: planning seams across a scene
Put Showrunner to work on your slate.
For studios, streamers and rights holders. Access is by invitation for now.